This is the very first exhibition dedicated to George Barbier (1882-1932), artist and fashion illustrator, theatre designer and protagonist of the Art deco movement. Curated by Barbara Martorelli, this exhibition presents over two hundred works including paintings, drawings, articles, pochoir, photographs, books, manuscripts and films from the extensive collections of Palazzo Mocenigo – Study Centre of the History of Fabrics and Costumes, from the Musée des Arts Décoratifs in Paris, Bibliothèque Nationale in France, Musée des Beaux Arts in Nantes as well as from private Italian and French collections. By reconstructing the diverse contexts of his production and comparing them to the artistic movements and avant-garde of that period, the exhibition focuses on the manifold aspects of the artist’s creativity, the author of renowned images - including the black panther that is Cartier’s symbol. The exhibition is in collaboration with Venezia Musei. The catalogue is by Marsilio, with essays by Barbara Martorelli, Giandomenico Romanelli, Alain Stoeffler, Mauro Nasti, Giuliano Ercoli, Doretta Davanzo Poli, Carine Picaud, and Jean Izarn.
The exhibition is a remarkable and fitting opportunity to revive both the memory and knowledge of a considerable renown artist while alive but quickly forgotten after his death. For the first time, it makes it possible to study and understand the diverse aspects of his vast production. It is arranged according to themes. It begins with his early works, then continuing with a section dedicated to theatre and cinema with his drawings for costumes and theatre design. It then goes on with a vast, spectacular section dedicated to fashion illustration – including, amongst other things, pochoir, watercolours and drawings - followed by the priceless, limited editions of the highly refined albums, almanacs and books illustrated by Barbier. Finally, the subject of his advertising production is of considerable interest.
Exhibition layout“Imagine the transformation of an inert drawing, when a beautiful creature comes to admire the costume and below streams of light decorates the very decorations themselves.
Creating real bunches of flowers and looking into a kaleidoscope; becoming the magician who dominates the seven colours and rules the four kingdoms.
Watch the metals become as ductile and fluid as water, the diamonds and paillettes, bundles of feathers and dancing frills, taffeta and satin that always reflect the light or absorb it in the softness of their depth; the dyed furs, painted and recut, real flowers and imitations, even more beautiful than the real ones and finally, the velvet of the pencils with the marvellous substance of their tricks.
You can create a sky-blue protagonist like the hyacinth or one that is ochre like a mandarin and decorate it with outstanding costumes in which love is snuggled like a bee in the heart of a rose”
George Barbier, Le Vestiaire de Thalie, in «Femina», December 1920.Early works
Watercolours, studies, copies and sketches are testimony of the artist’s phase of research and study, often signing his work with the pseudonym Edward William Larry, a name he used until 1912.
His early works (the first documented work goes back to 1899) are an important starting point to understand how his style developed and his multiple interpretations in the various fields. His first personal exhibition was at the Galerie Boutet de Monvel in 1911 with over 92 works belonging to great French collectors and he presented a catalogue with essays written by Pierre Louÿs.
TICKETS
Full price € 20
Reductions € 15 (exhibition reduction)
Advance sale at exhibition
BOOKINGS
- Call Center +39 041 5209070 (Payment with credit card: bookings accepted up to 24 hours before the visit. Payment with bank order: bookings accepted up to 15 days before the visit)
- On-line Bookings (Payment with credit card: bookings accepted up to 24 hours before the visit)
Cost of single booking € 1,00